Finally! Ralph Doumit has been working on his monography about Cosey for many years. Already announced for 2020 (under a different title) it will be published soon, by PLG Éditions. It will be part of the collection Mémoire Vive.
Ralph Doumit is an author, illustrator and teacher/researcher at the Académie Libanais des Beaux-Arts in Beyrouth (Libanon). He has written many articles and studies about comics and he has made lots of interviews with comics artists – you can read many of them on the blog ‘Les images qui racontent‘. He contibuted to ‘Cosey – Une quête de l’épure’, the catalogue of the Cosey exposition in Angoulême in 2018.
Years ago, I proofread one of the first chapters. I don’t know if this chapter made it to the new book, but if Ralph continued his work at the same level, we may expect an intelligent, expert view on Cosey’s work, in a highly readable style.
The mural painting in Morges is finished and restored to its old glory. Let’s hope the painting will be left untouched by other ‘artists’.
Where to find the wall painting? It can be found on the wall of a building behind the house on 1, Avenue de Riond Bosson in Morges/Tolochenaz. The mural is painted to the wall facing the railway, I don’t think you can see from the road.
On the instagram account of LeLombard (click here), you can find a competition to win this poster. It is a map (80 x 60 cm) of the region around Nepal, Tibet and India with some characters from the Jonathan series.
The competition is only open to people living in Belgium, France or Switzerland. For more regulations, see the post of LeLombard on instagram. On 22 October, 5 winners will be drafted.
LeLombard has lanched its publicity campaign for the 17th Jonathan album.
One of the great ideas is to have a playlist of ‘Jonathan- music’ on YouTube! You can listen to all the music that has been recommended on the backsides of the Jonathan albums. Listen here.
The playlist starts with a promo-video for the new album and it ends with an interview with Cosey about Jonathan 17: click here for a direct link to that interview. Strange enough, the uncoloured version of the album cover is used.
And on the ‘Actu’-page of LeLombard you can read the press dossier (scroll down) going with the album: click here.
In no. 139 (October/November) of Canal BD, you can read an interview with Cosey, written by Ronan Lancelot.
The interview of four pages starts with some well-known questions ans answers (about the start of the series, the first documentation on location), but I particularly liked passages about the use of colour.
If you don’t like spoilers, be reassured, the interview does not unveil anything about the new Jonathan album.
This is the cover of ‘À l’heure où les dieux dorment encore’ (‘At the hour when de gods still sleep’), that will be published by Daniel Maghen at the end of this month.
The book will contain sketches and watercolours Cosey made over the years. It is more or less a travel journal, but it will also have some reflections about colours, comics and other subjects. The book is divided into sections by regions: the Alps, Cyclades (Greece), Taiwan, India, etc.
An exposition of drawings from the book can be visited from 17 november at the Galerie Maghen in Paris.
In number 16 (Oct-Dec 2021) of ‘Les Cahiers de la BD’, you can find a ‘Cahier Héroïque’ about Jonathan, on the occasion – of course – the final album of the series.
The Cahier has 20 pages, richly illustrated with images taken from Jonathan. Readers who don’t want to know anything about the new album can be reassured: the articles do not disclose any secrets about Jonathan 17.
The main part of the Cahier is an article about the character of Jonathan, written by Nicolas Tellop. Tellop describes why Jonathan is a uncommon character in comics history. He is not a western hero that solves a problem or brings order in a bad situation in an exotic environment – imposing a western view on different cultures – but he is a character that aborbs the different cultures in which he moves around. Also, he is not a very active character, he is mostly an observer. Jonathan is open to different enviroments and people, he has the open mind of a young child. Through all this, Tellop emphasises te importance of the way of working of Cosey, using documentation, photos en sketches made on location as a foundation for his stories. At least: this my my very short summary of an intelligent article.
The Cahier has also some more or less original side-articles: one about the music of Jonathan (a short playlist) and another about some locations through which Jonathan has travelled. More interesting is a short article about the book that will be published by Daniel Maghen later this month: ‘À l’heure où les dieux dorment encore’ – book filled with sketches that Cosey made over the years during his travels.
On November 19, 2020, the belgian comic gallery owner and publisher Jean-Marie Derscheid died at the age of 65. In the BDFIL brochure of this year, you can read an ‘In Memoriam’ by BDFIL director Dominique Radrizzani, illustrated with this small drawing by Cosey.
Derscheid pioneered with expositions of the works of comic artists, like Hugo Pratt, Moebius, Jacques Tardi et many others – both in his own gallery Ziggourat in Brussels as at several comics festivals. One of these festivals was the BDFIL in Lausanne, for which he organised the exposition of Cosey works, ‘Les lueuers du Monde’, in 2007.
This is the third post in a row with ‘In memory’ drawings by Cosey – I hope to have happier news in the near future…
August 19, one of the best known and most productive scenarists, Raoul Cauvin, died at the age of 82.
Cauvin wrote the scenarios for many comics, mainly for Dupuis publishers. The best known are ‘Les Tuniques Bleues’, ‘Pauvre Lampil’ (about a comics maker) and ‘Cédric’. According to Wikipedia, he wrote scenarios for an incredible 400 albums.
In Spirou number 4354 (published on September 22), you can find hommages to Cauvin from several artists, among which this one by Cosey.
As you probably know, the actress Maria Schneider stood model for the charachter of Evolena in ‘À la recherche de Peter Pan’.
Last Friday, Nicholas (Nick) George Minden died. Nick Minden was Cosey’s english teacher in Lausanne – and he was the model for the other main character in ‘Peter Pan’- Melvin Woodworth.
Nick Minden was born in noble rumanian family that had to flee the country when the iron curtain closed (remember: Melvin stemmed for a Serbian family). After his studies in England, Nick ended up in Lausanne, Switzerland. His love for rugby brought him and his friend Uli together; they became friends for life.
The day after his friend Nick died, Uli went to BDFIL in Lausanne, trying to find some kind of solace. By accident, he met Cosey there. Cosey signed a B&W edition of ‘À la recherche de Peter Pan’ in memory of Nick.
Uli sent me several pictures of his friend Nick, to compare with Cosey’s depiction of Melvin Woodworth. I will only show one of them, taken at the wedding of Uli’s brother in 1985, that is: just after Cosey finished ‘À la recherche de Peter Pan’.
Thanks to Alberto ‘Uli’ Marchi My sincere condolences to family and friends of Nick Minden